What is needed is: swagger. A posture of confidence. Without that, a house team looks like a bunch of students.
Tag: performance
How do you play differently with different people?→
All great improv is done in the moment. Like anyone else starting a scene, I either make the first offer, or respond to the first offer, and go from there. I don’t go in expecting anything, and find if I go in trying to do anything I either won’t succeed at it or I won’t succeed in having a good scene.
If I go into a scene with, say, TJ, thinking any variation of “OMG OMG OMG”… I’m in my head from moment one and I’m fucked. Likewise, if I’m with a rookie thinking, oh, this person isn’t good, I’ve got to dumb it down… I’m probably limiting both of us.
There’s a saying in college basketball, “Don’t play the name on the jersey.” If a small school is preparing for an NCAA Tournament game with, say, vaunted Duke University, it’s too easy to psyche themselves out on the name DUKE and their history plus high caliber of talent, and completely get the small school out of their game. Conversely, if a big school looks down at a lesser opponent and doesn’t do much to prepare for them, they increase the chances of suffering the upset loss. If you focus on the actual players and team, and matching up with them in the moment, you will have a better chance of exploiting opportunities, playing to your strengths, and beating them.
A Tale of Two Shows→
Despite the grief we give ourselves for poorly timed edits and missed game moves, it’s the other show that matters more. The one about people just making things up as the go. The one about people pushing boundaries, taking risks, experimenting and being brave enough to follow the fun.
This isn’t sketch or theater. The audience knowingly came to see improv. They want to see both kinds of shows. A bunch of people making things up (and sometimes failing) isn’t a bad thing. It’s what makes our art form unique. And when everything comes together, it’s what makes improv seem like magic.
