Anything is possible if properly handled. And it is your job to see how close to the line you can walk. Here are several simple lessons to move you into a successful creative experience. Avoid an abundance of easy choices that exist simply to shock. Easy, repeated sexual references confuse a scene’s point of view. Discard language and subject matter that serve no purpose or threaten the audience’s willingness to receive a message. Remember our audience is made up of family and friends. Understand that the audience will hear what they want, and be certain that you are saying what you mean.
10 Ways to Level Up in Improv→
The Illustrated Guide to Improvisers
Space Jam Lessons Learned→
A cool little essay on pulling the positives from an improv jam.
We Don’t Try Hard Enough→
We have so many shows and only so much audience. Some nights, you’re looking out at a sea of empty chairs. I’m more empathetic when newer performers show frustration at light houses. It’s a reflection of their enthusiasm. But when I see a vet lumber onto the stage, half-giving a shit, I’m disappointed. It’s one thing to be ironically detached (which also sucks), and another to be metering out your work-rate out of entitlement or laziness.
Break’s over.
One of the downsides to taking classes three days a week (with a show every week too) is that some things get dropped – this blog is one of them. The upside: loads of new stuff coming soon!
Style→
I’ve taken art classes. One of the first things an Art 101 instructor has to do is get all these pretentious art students to put aside their preexisting “styles”— which have usually grown out of avoiding whichever art skills they struggle with— and learn how to draw like everyone else. Style will come later. For now, learn the rules… then you can break them, consciously & intentionally, instead of breaking them because you’re incapable of following them.

